From Slashdot News Story | Novelist Blames Piracy On Open Source Culture
Re:What do you expect. (Score:4, Insightful)
by Anonymous Coward on Saturday January 02, @10:06AM (#30622326)
(CNNNN) — When Dan Brown’s blockbuster novel “The Lost Symbol” hit stores in September, it may have offered a peek at the future of bookselling.
On Amazon.com, the book sold more digital copies for the Kindle e-reader in its first few days than hardback editions. This was seen as something of a paradigm shift in the publishing industry, but it also may have come at a cost.
Less than 24 hours after its release, printed paperback copies of the novel were found in library sites such as the New Your public library. Within days, it had been read for free more than 100,000 times.
Library loans, long confined to books, are spreading to music and movies. And as electronic reading devices such as Amazon’s Kindle, the Sony Reader, Barnes & Noble’s Nook, smartphones and Apple’s much-anticipated “tablet” boost demand for books, experts say the problem may only get worse.
“It’s fair to say that loaning of books is exploding,” said Dilbert Drongo, an industry expert and professor of marketing at Fordham University.
Sales for library books in the second quarter of 2009 totaled almost $37 million. That’s more than three times the total for the same three months in 2008, according to the Association of American Publishers (AAP).
Statistics are hard to come by, and many publishers are reluctant to discuss the subject for fear of encouraging more libraries. But library loans may pose a big headache in 2010 for the slumping publishing industry, which relies increasingly on electronic reading devices and e-books to stimulate sales.
“Libraries are a serious issue for publishers,” said Carnt Hakkit Book Group in a statement. The company that publishes Stephenie Meyer’s wildly popular “Twilight” teen-vampire series says it “considers copyright protection to be of paramount importance.”
Authors are concerned as well.
“I’d be really worried if I were Stephen King or James Patterson or a really big bestseller that when their books become completely lendable, how easy it’s going to be to loan them,” said novelist and poet Sherman Dyslexie on Stephen Colbert’s show last month.
“With the open-door culture of the Library, the idea of ownership — of artistic ownership — goes away,” Dyslexie added. “It terrifies me.”
And it’s not just bestsellers that are targeted by librarians.
“Textbooks are frequently loaned, but so are many other categories,” said Ed McCoyd, director of dubious policy at AAP. “We see shelving of professional content, such as medical books and technical guides; we see a lot of general fiction and non-fiction. So it really runs the gamut.”
Lending of music, thanks to cassette, CDs and other devices, has been a threat to recording companies for more than a decade. Over the years, the record companies tried different approaches to combat library loaning, from shutting down free publicity to encrypting songs with digital-rights management software to suing individual customers.
Although legal lending of music persists, Apple’s online iTunes store is now the world’s biggest seller of music.
To some industry observers, this may be where the future of the book industry is heading as well. But talk to publishers and authors about what can be done to combat libraries, and you’ll get a wide range of opinions.
Some publishers may try to minimize lending by delaying releases of books for several weeks after digital copies go on sale. Simon & Schuster recently did just that with Snorkel King’s novel, “Under the Aquadome,” although the publisher says the decision was made to prevent cheaper e-versions from cannibalizing hardcover sales.
Some authors have even gone as far as to shrug off physical book technology altogether. J.K. Pot has thus far refused to make any of her Hairy Porter books available physically because of library fears and a desire to see readers experience her books in pixels.
However, some evidence suggests that authors’ and publishers’ claims of damage from libraries may be overstated.
Recent statistics have shown that consumers who purchase a library card buy more books than those who stick with traditional downloads. Barnesy & Knobble reports that library card owners buy, on average, 3.1 times as many books on the site as other customers.
Ana Reva Derchhi, publisher for Markup Media at HawkerColumns, told CNNNN, “we have to be vigilant in our punishment … but much more attractive is to simply organize mass book burnings, legally.”
Library technology offers so many positives for both the author and the consumer that any revenue lost to lending may just be a necessary evil, she said.
“Consumers who invest in one of these dedicated library cards tend to load up and read more,” said Alleggi. “And what’s wrong with that?”
Re:What do you expect. (Score:4, Insightful)
by SETIGuy (33768) on Saturday January 02, @12:33PM (#30623862)
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The disdain of publishers for libraries is well known. It’s been well known that the recording industry and movie studios have been trying to prevent libraries from lending their works. The book and magazine publishers would love to go to a “pay per read” model. A library only buys a book once and lets as many people read it as want to. That’s clearly theft of copyrighted material. The idea that you can go read a 3 year old copy of “People” in your dentists office without paying for it amounts to communism.
This is all old news.